![]() ![]() ![]() We all come from different roots and no two people are the same– your character should be as individual as a real person. When reading your story, your reader should think that your round character could actually be a real person.īut how do you create a real person from scratch? Well, think about what real people have: strengths and weaknesses, instinctual differences, a backstory like no other person. That word, ‘people’, is crucial to creating a round character. I like to think of round characters as ‘three dimensional’: they have many different sides and parts of them that come together to make one shape, one person. In this article, I hope to show the difference between round and flat characters and help you decide which of the two your characters should be. ![]() How far should you go with your main protagonist? What about your sidekick, or the lady they run into at the bookstore? The notion of Round and Flat Characters should be known by every writer because, essentially, it helps you distinguish how much personality your individual characters should have. The idea is that there are two types of character in a novel, fully-fleshed and fully developed humans, and characters who have nothing to them except a singular trait or quality. Round and Flat Characters are a concept created by E.M Forster in his novel Aspects of the Novel (1927). ![]()
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